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BY J.P. STROMAN
For those familiar with the rock genre, Chris Cornell's name carries a lot of weight. Cornell is most famous as the frontman for the bands Soundgarden and Audioslave. On the heels of his recently announced departure from Audioslave comes "Carry On," Cornell's second solo album following 1999's "Euphoria Morning."
In the song "Ghosts," Cornell uses moving to a new house as a metaphor for a person growing, changing, moving forward with his life and leaving others behind. That seems to be a recurring theme throughout the album, representing his growing and maturing as an artist.
While most of his earlier work is fast-paced and edgier, this album is much more mellow and laid-back--and much easier to digest. Songs like "Finally Forever" and "Safe and Sound" benefit from Cornell's sensitivity as a vocalist. It would be easy for him just to uncork a huge scream like he has in the past, but he demonstrates proper restraint and showcases his versatility. Several of the songs have a distinct Beatles influence, most clearly the bouncy-yet-electric beat of "Poison Eye."
Cornell can still rock, however, as he proves on the first and last tracks: "No Such Thing" and "You Know My Name." If I didn't know any better, I'd have thought those songs were off an Audioslave record. Their hard-driving guitar riffs and passionate vocals make them my favorite songs on the album.
In short, approach this record with an open mind. Don't pick it up expecting the same style you're used to hearing with Cornell. Give each track a fair listen, and, like me, you'll probably be impressed.
J.P. Stroman is a student at the University of Virginia.