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ReviewsNneka's album invokes a spin of several different emotions Date published: 11/14/2009
BY ELLIOTT HAY Nneka is a self-proclaimed "Nigerian Afro goddess" who raps using a mixture of English and Igbo, a Nigerian dialect spoken by some 18 million people. Nneka's U.S. debut, "Concrete Jungle," is set to be released in February. But curious music lovers can get a preview of her on Saturday at Vienna's Jammin' Java. Nneka's sound is like nothing on the airwaves right now, but somehow it just works. Her music is powerful, filled with lyrics that are supercharged with dramatic messages of religion and politics. One almost feels a sense of guilt from how easy it is to enjoy her music--it feels like you shouldn't derive any entertainment from songs that call for drastic changes at times. The songs make you feel like you're not doing enough for the community--yet, at the same time, they're addictive. It's an odd combination, but in the end Nneka's music will stick with you long after listening to her beats. Though Nneka has taken Europe and Africa by storm already, this CD is one that will probably be overlooked by most Americans due to the slightly rough and unpolished sound of the album, and that's a tragedy. But Nneka not only deserves to be heard--she's also downright enjoyable to listen to. She isn't a diva; she's truly a higher form. Elliott Hay is a student at Germanna Community College.
Date published: 11/14/2009
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